Ferrigno, Leal & Kuprij - Promised Land 2003

Label: Lion Music

Date: 2002

Genres: Progressive Metal, Neo-Classical Metal

Format: wv + cue + log

01. Promised Land
02. The Prisioner
03. Death & Illusions
04. Inner
05. Ethiopia
06. Eternal
07. Vigilante
08. The Prophecy

Vitalij Kuprij keyboards

Marco Ferrrigno guitars on left channel

Javier Leal guitars on right channel

Philip Bynoe bass

Jon Doman drums

Reviewed by Christopher J. Kelter

I had no idea what to expect when I put "Promised Land" into the CD player. It was pretty obvious that it was going to be instrumental music as I could see no credit given to a vocalist. Also, I had a vague idea about virtuoso keyboardist Vitalij Kuprij's role in Artension, but hadn't heard his playing in any manner, shape, or form (oops, I was wrong - I've heard Kuprij on James Murphy's "Feeding The Machine"). Of course, it goes without saying that I'd never heard of the two feature guitarists on "Promised Land" either; Marco Ferrigno and Javier Leal were complete unknowns to me.

Regardless of the players, one spin of "Promised Land" will have your head spinning if you are a fan of the neoclassical style of instrumental metal. Often this style is associated with one guitarist (Vinnie Moore, Tony MacAlpine, Yngwie J. Malmsteen) or occasionally two guitarists (Marty Friedman/Jason Becker). But to hear three virtuosos sharing inspiration, pushing each other, and adding their distinctive musical voices to the performances herein was quite a trip. The music veers more to the style of Yngwie J. Malmsteen and Tony MacAlpine than anyone else I’ve mentioned so far.

Guitarist Javier Leal gives off vibes like a possessed mix of Yngwie J. Malmsteen and Tony MacAlpine as he struts his six-string histrionics. Guitarist Marco Ferrigno has a more diverse approach to his sections. All the while, keyboardist Vitalij Kuprij is laying down a melodic foundation for the music to take flight as well as taking a number of opportunities to solo and give the proceedings a non-guitar explosion into instrumental heaven.

Bassist Philip Bynoe and drummer Jon Doman are pretty much relegated to true rhythmic support, but occasionally get the chance to elevate the music with their skillful playing to near-Liquid Tension Experiment heights. That, my friends, is high praise.

"Promised Land" is a thoroughly enjoyable listen for those of you who enjoy instrumental metal.

Vega - Andaluza (1978)

Year: 1978 (reissue — 2003, Dro East West)

Label: Fonomusic

Style: Progressive rock

Genre: Prog-folk / Flamenco-rock

Format: APE (image) +CUE+LOG

1. Triana
2. Zona rosa
3. Origen
4. Arco Iris
5. Andaluza
6. Lamentos

Tomas Vega - guitars

Guty Lopez - bass

Larry Martin - drums

Pedro Ample - percussion

Rafael Guillermo - piano, organ, mini-Moog

Enrique Carmona - guitar

Julian Llinas - string arrangements

ProgArchives, erik neuteboom:
In the early Nineties I bought some Spanish progrock magazines (Sirius) in order to improve my ‘one-year-Spanish’ and to discover more of the exciting world of Spanish progressive rock. In one Sirius I noticed an add in which Angel Romero (a known Spanish proghead from Madrid who later moved to the USA) offered his entire progrock LP collection because of a dust-allergy. I felt like a vulture but it was no problem to him, he was happy with my appreciation for the socalled Rock Andaluz, the wonderful blend of Spanish flamenco and progrock. I asked him for advise and bought albums from Cai, Azahar and Vega. On this debut LP guitarplayer Tomas Vega delivers a pleasant progressive blend of flamenco and rock.

1. Triana (3:55): This track is a transition from Spanish composer Isaac Albeniz his work. It contains a cheerful climate and a swinging rhythm-section featuring jazzy inspired flamenco guitar runs, a bit polished string-arrangements and an exciting duel between flowing electric guitar and fast flamenco guitar.
2. Zona rosa (5:53): The first and final part sounds romantic with warm flamenco guitar and tender acoustic piano runs. In between a swinging rhythm and splendid flamenco guitar work, great electric guitar overdubs (howling with echoes from early Triana), propulsive conga percussion and a dynamic rhythm-section.
3. Origen (5:07): This song delivers the most obvious Morish atmosphere (for many years Andalusia was occupied by the Arabs in medieval times): a mid-tempo with an adventurous rhythm-section, exciting flamenco guitar and fiery electric guitar (again some great overdubs), evoking bands like Triana, Mezquita and Iceberg (also Rock Andaluz).
4. Arco Iris (3:30): It starts with warm and sensitive flamenco guitar and soaring strings. Then an accellaration delivering a mid-tempo with powerful electric guitar, sparkling Fender Rhodes piano and again exciting flamenco guitar play.
5. Andaluza (5:32): The titletrack (a transition from Spanish composer Enrique Granados) has a romantic undertone due to the romantic string- arrangements, bringing Alameda to my mind. The jazz inspired flamenco guitar work reminds me strongly of the pivotal and innovative flamenco guitarist Paco De Lucia, outstanding!
6. Lamentos (6:06): The final song delivers great interplay, sensational electric guitar overdubs and alternates between mellow with romantic piano and sensitive flamenco guitar and swinging with fiery electric guitar (an Andalusian undertone).

ESSENTIAL SPANISH PROGROCK!!