Genre: Progressive Rock, Jazz-Rock, Blues
Format: flac + cue + log
Released: 1969
Label: Castle Records
While Colosseum lasted only a little more than three years, producing five albums in that time, they made a great impression on the blooming subgenre of progressive rock, first with the energetic jazz- and blues-influenced "Those Who Are About to Die Salute You", with its unusual
chord progressions and variant song structures, and then with the epic "Valentyne Suite". The
title track of Valentyne Suite, a 17-minute composition, pushed keyboardist Dave Greenslade to the forefront of the band and into the spotlight of progressive music, a position he was increasingly uneasy with over the years. Drummer Jon Hiseman, on the other hand, gradually moved towards the jazz fusion area. Colosseum began to undergo personnel shifts with their third album, Grass Is Greener, with everyone calling it quits upon the departure of Greenslade in 1971. In 1975, Hiseman formed Colosseum II, but this time the mandate was firmly jazz fusion. ( Allmusic )
*** Colosseum's debut album is a powerful one, unleashing each member's instrumental prowess at one point while consolidating each talent to form an explosive outpouring of progressive jazz/rock the next. Those Who Are About to Die Salute You is coated with the volatile saxophone playing of Dick Heckstall-Smith, the thunderous keyboard assault of David Greenslade, and the bewildering guitar craft of James Litherland. Together, Colosseum skitters and glides through brisk musical spectrums of freestyle jazz and British blues, sometimes held tightly in place by Greenslade's Hammond organ, while other times let loose by the brilliancy of the horn and string interplay. Each song sparks its own personality and its very own energy level, giving the band instant notoriety upon the album's release in 1969. Not only did Colosseum sound different from other jazz fusion bands of the era, but they could easily take the unconventional elements of their style and churn them into palatable and highly significant musical thoroughfares. Some of the more compelling tracks include "Walking in the Park," led by its powerful trumpet segments, and "Pretty Hard Luck," which embarks on a stylish blues excursion with colorful keyboard sections on the periphery. "Beware the Ides of March" borrows a page out of J.S. Bach's notebook and turns his classical poignancy inside out, while "Mandarin" and "Backwater Blues" are created with the perfect jazz and blues friendship in mind, representing Colosseum's fused sound spotlessly. Best of all, the album never strays from its intensity or its creativity, the very foundation that the band is built on. Their next album, Valentyne Suite, mirrors the same instrumental congruity as Those Who Are About to Die, and is equally entertaining. ( Allmusic )
chord progressions and variant song structures, and then with the epic "Valentyne Suite". The
title track of Valentyne Suite, a 17-minute composition, pushed keyboardist Dave Greenslade to the forefront of the band and into the spotlight of progressive music, a position he was increasingly uneasy with over the years. Drummer Jon Hiseman, on the other hand, gradually moved towards the jazz fusion area. Colosseum began to undergo personnel shifts with their third album, Grass Is Greener, with everyone calling it quits upon the departure of Greenslade in 1971. In 1975, Hiseman formed Colosseum II, but this time the mandate was firmly jazz fusion. ( Allmusic )
*** Colosseum's debut album is a powerful one, unleashing each member's instrumental prowess at one point while consolidating each talent to form an explosive outpouring of progressive jazz/rock the next. Those Who Are About to Die Salute You is coated with the volatile saxophone playing of Dick Heckstall-Smith, the thunderous keyboard assault of David Greenslade, and the bewildering guitar craft of James Litherland. Together, Colosseum skitters and glides through brisk musical spectrums of freestyle jazz and British blues, sometimes held tightly in place by Greenslade's Hammond organ, while other times let loose by the brilliancy of the horn and string interplay. Each song sparks its own personality and its very own energy level, giving the band instant notoriety upon the album's release in 1969. Not only did Colosseum sound different from other jazz fusion bands of the era, but they could easily take the unconventional elements of their style and churn them into palatable and highly significant musical thoroughfares. Some of the more compelling tracks include "Walking in the Park," led by its powerful trumpet segments, and "Pretty Hard Luck," which embarks on a stylish blues excursion with colorful keyboard sections on the periphery. "Beware the Ides of March" borrows a page out of J.S. Bach's notebook and turns his classical poignancy inside out, while "Mandarin" and "Backwater Blues" are created with the perfect jazz and blues friendship in mind, representing Colosseum's fused sound spotlessly. Best of all, the album never strays from its intensity or its creativity, the very foundation that the band is built on. Their next album, Valentyne Suite, mirrors the same instrumental congruity as Those Who Are About to Die, and is equally entertaining. ( Allmusic )
01. Walking in the Park 02. Plenty Hard Luck
03. Mandarin
04. Debut
05. Beware the Ides of March
06. The Road She Walked Before
07. Backwater Blues
08. Those About to Die
Dave Greenslade: Organ, Keyboards, Vocals
Dick Heckstall-Smith: Saxophone, Sax (Soprano), Sax (Tenor)
Jon Hiseman: Drums, Liner Notes
James Litherland: Guitar, Vocals
Tony Reeves: Bass, Guitar (Bass), Producer
Dick Heckstall-Smith: Saxophone, Sax (Soprano), Sax (Tenor)
Jon Hiseman: Drums, Liner Notes
James Litherland: Guitar, Vocals
Tony Reeves: Bass, Guitar (Bass), Producer
*** Strong debut of one of the most popular jazz-rock groups.The album comprises jazz- rock,
blues and symphonic rock tunes, reflecting musical background and aspirations of band members. It opens with rhytmically furious cover of Graham Bond's 'Walking In The Park' leading us to more jazzier 'Plenty Hard Of Luck' ; 'Mandarin' shows all the skill of Tony Reeves, a bass guitarist extraordinaire , while closing track of the A side of the record is literally their debut, origins of which are coming from John Mayall's superb 'Bare Wires' album. Side B of the record beginns with the proof of how inspirational can one classic piece be for the rock performers; following two numbers show band's blues affinities and closing track is jazz-rock at it's utmost. All in all, this 'Morituri Te Salutant' album has shown Colosseum's enormous potential which will fully explode on their masterpiece follower. ( Progarchives )
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