Showing posts with label Rain Fell Within. Show all posts
Showing posts with label Rain Fell Within. Show all posts

Sunday, January 10, 2010

Rain Fell Within - Refuge 2002



Genre:Gothic Meta
Format: ape + cue + log
Released: 2002
Label: Dark Symphonies Dark 16





01. Torn Apart
02. In The Knowing Of You
03. The Child Beneath
04. In My Dreams
05. Save Your Soul
06. Winter's Embrace
07. Into The Tower
08. Sirens
09. Burned Away
10. Passing Time






Rain Fell Within took me by surprise with the quality of "Believe", their debut. "Refuge" is the follow-up, the second and last CD from this superlative and original band. Shortly after recording was completed the band broke up. So RFW are no more, and the members have scattered to a half-dozen other projects, and we are left with only this last recording. Fortunately, it’s an amazing CD.

For the uninitiated, Rain Fell Within play a gothic, atmospheric style of metal with rich keyboard and guitar harmonies mixed with the lush operatic vocals of front-babe Dawn Desiree. This has a lot in common with goth-doom bands like After Forever or even Tristania, but without the death-growls. Rain Fell Within are more melancholy and doomy than other bands in the same vein, and more classically inflected as far as arrangements and vocal melodies. The whole is a beautiful and arresting sound that is much more distinctive than you would expect. This is not tremendously heavy, or what would be called ‘crunchy’, but this is superlative metal nonetheless. There is a great deal of variety in the songwriting, with acoustic parts sequeing into more metallic passages and the keyboards adding to the melancholy atmosphere.

Dawn Desiree has a fantastic voice, more operatic than Flor Janssen or even Tarja, she moans and howls with genuine feeling and almost frightening intensity. She’s easily the centerpiece of the band, but the music backing her up is of consistently high quality. The music on "Refuge" is complex and symphonic, without being in any way reminiscent of power metal or movie soundtracks. Rain Fell Within are refreshingly free of the clichés of their chosen subgenre, and the result is an uncompromisingly artistic album without a single nod to commercialism. Some may find this a hard listen, as there is almost nothing here resembling a standard metal hook or chorus, but repeated listens reward with a complex and involving musical experience unlike almost anything else. "Refuge" is a singular and challenging musical statement.

The CD package is a digipack, but much sturdier than the usual flimsy construct. The art design, as we would expect from Dark Symphonies, is really beautiful and reflects perfectly the moody grace of the music. In the band pics the members look young enough to make me feel really, really old. And did I mention Dawn Desiree is gorgeous? Man oh man.

This is a great CD, really different and with impressive composition and musicianship. If you like gothic stuff that doesn’t wallow in self-pity or metal that is really classically inspired (and not just infested with movie-soundtrack worship). Then you should definitely check this out.




Wednesday, March 4, 2009

Rain Fell Within - Believe (1999)





Genre: Symphonic/Gothic Metal
Format: Flac + cue + log + test
Released: 1999
Label: Dark Symphonies






01. A False Reality
02. None
03. Believe
04. Sorrow Becomes Me
05. The Sun In My Wound




The debut album from Rain Fell Within is entitled Believe (Dark Symphonies (USA) Dark 7, 2000) is a five track collection of atmospheric metal with operatic vocals. Certain to appeal to fans of Nightwish and Third and The Mortal, their music encompasses a broad range of stylistic influences including: My Dying Bride, Paradise Lost and The Gathering. The band's stated influences also include Theatre of Tragedy, Tiamat, Dead Can Dance and Amorphis. Musical Discoveries' editors were drawn to the music by the stated similarity to Nightwish and this is evidenced by lead vocalist Dawn Smith's operatic vocal contributions. Rain Fell Within, like Nightwish has effectively integrated stunning operatic vocals with metal-edged progressive arrangements.

Rain Fell Within is based in Northern Virginia (USA) and formed in October 1996. After spending 1997 writing material, Rain Fell Within recorded a 5-song demo which was not released to the public. Developing upon their symphonic style, in 1998 they released a professional demo titled "Solemn Days." The demo received excellent responses worldwide. In late 1998, the beand began writing new, more mature material than "Solemn Days" and began playing live shows. The lineup finally stabilised in mid-1999. Today the band includes Dawn Smith (vocals and keys), Charles Gore (bass), Owen Davis (guitars), Tim Miller (percussion) and Kevin Thomas (guitars).

The Believe album is comprised of four epic length, progressively influenced, tracks exceeding eight minutes whilst the closing track runs just under four minutes. The opening number, "A False Reality," serves as an excellent introduction to the band and Dawn's soaring operatic vocal prowess, multitracked extensively throughout to provide supporting backing vocal textures. The double-bass drum and metal edged guitars dominate the intrumental arrangements. The intriguing track "Alone" blends evocative operatic—yet melancholy—vocals with harder-edged metal instrumentals and lush keyboards. We especially enjoyed the fast paced instrumental bridge and accompanying vocal in the last third of the song. Dawn's incredibly powerful voice rings throughout the track and complimenting both singers, she can be favourably compared to Tarja Turunen of Nightwish.

While comparisons to Nightwish and The Third and the Mortal can not be avoided, the title track is clearly the closest allusion to Nightwish in instrumental performance, hard driving style and Dawn's stunning lead vocal part. Instrumentals are as lush as they are heavy while vocals are clearly beautiful and the contrast works quite well for Rain Fell Within as it does for Nightwish. Dawn's additional backing vocals add substantial to the overall texture of the track. "Sorrow Becomes Me" is a slower and somewhat lighter atmostpheric track with a vast range of lovely vocal excursions. The album concludes with the vocally lush "The Sun in my Wound" opening with a heavily layered a capella introduction. This stunning operatic ballad is a lovely tribute to Dawn Smith's soaring vocal work with the lightest instrumental arrangement in support.

Although the album's running time is relatively short by today's standards, the quality of the tracks included on Believe is outstanding. Rain Fell Within are indeed a very powerful atmospheric metal band that demonstrate progressive influences in their work. We found Dawn Smith's vocals stunning in every respect and think that this album should be explored to listen to her sing if for no other reason. Interested readers should listen to the tracks at Rain Fell Within's mp3.com website. Worth a long distance journey and extensive investigation, Believe is certainly a must listen!
Review 27 January 2000


Rain Fell Within - The Sun In My Wound